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British Literature Survey 1: A Literary Journey from the Mead Halls of the Eighth Century to the Seamy Underbelly of the Eighteenth
Metempsychosis is a field of study that takes as
its objective a retracing of the steps of the past.
In this course, we will embark on a journey that departs from a
literary port of call—the mead halls of 8th-century—and that,
at the end of the semester, docks somewhere in the seamy underbelly of
18th-century England.
During the semester, we will battle monstrous mothers, be amazed
by supernatural green knights, follow pilgrims toward Canterbury and
hear their tales of fabliau, discover an anchoress’ mystical visions and
a medieval housewife’s autobiography, spy on lovers, witness the
dis-embowelment of a royal prince-turned-slave, burn London, dally in
daily receipts, ponder the rape of a lock, witness a radical mastectomy
(without anesthesia), and explore a few back streets and dark alleyways.
This course provides us with the opportunity to investigate
various genres, literary traditions, and historical periods.
As readers, we will think of ourselves as literary critics as
well as social, political, and economic historians.
While we will explore the cultural contexts in which works are
written and that affect the development of literature, our primary
concern will be to read literary selections closely and revel in them—to
understand, analyze, and appreciate their richness and variety of form,
language, and content. To
this end, we will pay careful attention to textual detail as well as to
larger themes and patterns.
Because this is a writing intensive course, we will also study relevant
terms and techniques of literary criticism to make our papers and
discussions more precise.
Topics our discussions are likely to engage include the relationship of
the present to the past, of the individual to society, and of the
individual to institutions and systems (such as government, law,
medicine, religion, education, or industry); problems of self-discovery
and identity; questions of love, marriage, and morality; questions of
gender, class, and race; and the role of the artist and of literature in
investigating, articulating, and affecting all of these issues.
To facilitate lively discussions, our class will run very much
like a seminar and reading group. British Literature 1 Syllabus British Literature 1 Schedule |
Phyllis Thompson Department of English 213 Burleson East Tennessee State University thompsop@etsu.edu 423.439.5997 |